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7 Quintessential Remixes from the DFA

This past weekend, there was a chance you made a pilgrimage westward to Coachella to witness the reunification of LCD Soundsystem. Or perhaps you are soon to be en route for the second weekend of the venerated desert festival. Failing that, five years prior, you may have journeyed east to Madison Square Garden for what was ostensibly LCD Soundsystem’s final show, an event subsequently re-packaged and sold to you as a concert film and a five-LP box set that certainly lived up to its title, The Long Goodbye.

Lost in the appraisals and dismissals of such breakups and make-ups, before he formed LCD Soundsystem and glibly talked about losing his edge, James Murphy made his name not on his wine bar or his coffee blend but as one-half of the production duo the DFA, alongside Tim Goldsworthy. Murphy, the indie rock veteran and Six Finger Satellite sound engineer, and Goldsworthy, onetime member of an early incarnation of UNKLE, met while working with Irish electronic musician David Holmes in the late '90s*,* and their relationship developed from there. They made for an unlikely pair, with Murphy’s meat-and-potatoes live drum sound counterbalancing Goldsworthy’s encyclopedic knowledge of synthesizers and production techniques.

Before DFA (read: Death From Above) became the name for their record label, Murphy and Goldsworthy were already hard at work splicing together the DNA of post-punk, indie, Italo, electro, rock, analog synthscapes, and plenty more. Call what they did “dance-punk,” but visiting the DFA offices during the early 2000s, you were more likely to hear Terry Riley’s Persian Surgery Dervishes and Manuel Göttsching’s E2-E4 than Gang of Four. That omnivorous musical appetite showed up on their remixes as the DFA, from 2001 to 2008.

While it’s now far easier to just credit the melding of indie and dance culture to LCD Soundsystem, the DFA’s remixes were massively influential on their own terms, introducing the likes of Le Tigre, Jon Spencer Blues Explosion, and Gorillaz to discerning dancefloors that might have otherwise ignored them. At one point, the duo even neared the precipice of mainstream acceptance, fielding offers from Britney Spears and having a name nearly on par with the likes of the Neptunes and Timbaland (they would subsequently remix N.E.R.D. and Justin Timberlake). But as Murphy enjoyed greater success with LCD Soundsystem, the duo began to fray. One source once told me that the Murphy-Goldsworthy studio dynamic became one of each erasing the other’s work. While news of Goldsworthy leaving hit the news in 2010 (with a subsequent lawsuit brought by DFA against him in 2013), Goldsworthy was more or less out the door by the time the DFA’s last big remix—of M.I.A.’s 2008 hit “Paper Planes”—dropped.

In some ways, this revisionist history plays into the dynamics of rock versus dance music. The accolades, album reissues, and documentaries train their focus on LCD Soundsystem, a rock band with a classic catalog that can make the festival circuit. But the elusive singles that the DFA produced—the ones that soundtracked the hedonistic wee hours of a post-9/11 NYC—forever remain hazy, dancing just beyond the reach of easy assimilation. Before “All My Friends,” the following DFA remixes were what you heard during a night out with all your friends.

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Le Tigre, “Deceptacon” (2001)

The remix that started it all. While Kathleen Hanna may have spit the bit on riot grrl rock when she formed this dance trio with JD Samson and Johanna Fateman, they were still closer to spastic new wave and punk than the club, no matter how many times Hanna sneered, “Wanna disco? Wanna see me disco?” But when the DFA filed their remix two years after Le Tigre’s debut, “Deceptacon” was the defining sound of pre-electroclash ennui. Powered by crisp hi-hats and Goldsworthy’s itchy-twitchy keyboard hook, the track finds the primo midpoint between punk’s spikiness and disco’s slinkiness. At one point, Goldsworthy deadpans “f-r-e-s-h,” which is exactly what this sounded like—both then and now.

Metro Area, “Orange Alert” (2002)

No dance duo was more of an influence on Murphy and Goldsworthy’s early productions than Metro Area. Morgan Geist and Darshan Jesrani were unabashed in their love of spacey handclaps, juicy basslines, and sparkling synths. Their run of singles from 1999 to 2001 set the table for the decade of underground dance music to come and just overlapped with the start of the DFA, their influence audible on the latter. DFA’s remix of Metro Area is the inverse of the Le Tigre one, toughening up the drums and adding a bit of grit to the preexisting glitz.

UNKLE, “In a State” (2003)

In which Goldsworthy’s new production duo remixes a track from his previous duo. The original featured 10cc’s Graham Gouldman against a fidgeting beat, but in DFA’s dramatic reimagining, they open with the breathless ethereality of 10cc’s “I’m Not in Love.” Ever so gently, a slow, cresting beat enters, making for a smoldering end of night closer. The duo’s ability to build momentum across its 13 minutes without veering into excess is masterful.

Gorillaz, “Dare” (2005)

As the DFA began to hit their stride mid-decade, almost every remix began to near the double-digit barrier in terms of length. But in a catalog of such epics (see also: their remix of Nine Inch Nails’ “The Hand That Feeds”), their 12-minute expansion of Gorillaz’s “Dare” towers above the rest, dilating the track to three times its original length. And while the original was a fun foothill of synth squelches, percolating backbeat, and Damon Albarn falsettos, Murphy and Goldsworthy reconstituted it into something mountainous. Taking a page out of LCD’s “Yeah,” Murphy’s telltale snares and cowbells—combined with Shaun Ryder’s sneers—give the song a punk edge. Which would suffice for most remixers, who might then clock out. But with each passing chorus, the intensity builds, the synths taking on a sawtooth edge. Around the five-minute mark, a sustained buzzing chord signals take-off, and the track soars into the stratosphere.

Hot Chip, “(Just Like We) Breakdown” (2005)

The DFA were early champions of fellow synth geeks Hot Chip, who made a brief appearance on Murphy and Goldsworthy's label. While there’s a breezy backbeat to the band’s original track, in the DFA remix, the duo foregrounds Alexis Taylor’s forlorn vocal, surrounding it with a somber throb. The closed hi-hats give it an anxious pacing while the dramatic key stabs make for the DFA’s most emotive remix, a line like “hold on my friend/ the end is a start” perhaps foretelling the duo’s own demise.

Goldfrapp, “Slide In” (2005)

It was somewhat rare that the DFA got their hands on tracks featuring female voices—the spiky no-wave of J.O.Y.’s “Sunplus” and Pixeltan’s “Get Up / Say What,” plus the aforementioned Le Tigre and M.I.A. remixes, are notable exceptions—so there’s a delectable pleasure in having the duo transform Alison Goldfrapp into a total disco diva. From the beefy drum fill that opens the track, the gooey, early ‘80s-styled original gets stretched to a tantric 13 minutes. Drum-drunk and high octane from the leap, as “Slide In” goes on it continues to build speed. Featuring a drum circle breakdown that nods to the clattering polyrhythmic breaks of Chicago’s “I’m A Man” and Cymande’s “Bra” (which Murphy also paid tribute to on LCD singles like “Yeah”), the song then begins towards to drift towards outer space. It encapsulates the DFA’s undying love for disco’s opulence, big drums, and cosmic synth music in one single track.

Captain, “Frontline” (2006)

An outlier in the DFA’s discography, this track shows an oft-neglected aspect of the remix: working with an unremarkable song and a cringeworthy vocal. Perhaps it was the opportunity to play with a Trevor Horn production? They keep the indie yowl of Rik Flynn up front, but jettison the dead weight before the four-minute mark. And when the deep synth bass kicks in and the chord stabs start to echo, James and Tim pull at every component like taffy, stretching things further and further afield for one of their spaciest, most dubbed-out remixes.

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New Jersey Hardcore - The Ten Year Party

THURSDAY, JUNE 29, 2017

New Jersey Hardcore - The Ten Year Party

I grew up in New Jersey, so i'm pretty biased when it comes to NJHC. The first hardcore shows i ever saw were Jersey bands, and most of the first records i bought were from Jersey bands. I lived 10 minutes from the New York City, so i was lucky enough to have the best of both worlds. Both sides of the Hudson have their share of classics and i'd be hard-pressed to pick a side, but i can safely say that East Coast Hardcore is my favorite hardcore in the world.

The hardcore punk scene in New Jersey, specifically North Jersey which is where i lived up until ten years ago, was much different in the mid to late '80s than it was in New York. Like night and day. The town i grew up in, North Bergen, hardly had any skinheads, or gutter punks, or straight edge or "youth crew" scene. It was a town of long haired kids in denim jackets, most with band logos painted on the back, drinking beer and smoking pot on train tracks or under bridges. Everyone was starting bands in their garages. It was basically like that movie "Over The Edge". We were stuck in some weird '70s vibe.

By the time i got into hardcore in late 1986 the big thing was Crossover. I'm pretty sure it was sophomore year in high school that a friend of mine made me a couple of cassettes with DRI's "Dealing With It", Suicidal Tendencies s/t, and a couple other records. That was my introduction. After that i was turned onto Pat Duncan's show on WFMU in '87, were i discovered all the classic Jersey bands as well as all the NYHC bands at that time, and pretty much hardcore and punk from all over the world. Hearing so much new shit at once like that is like discovering a new planet you never knew existed. It was overwhelming. By the end of 1987 i was already playing drums in my first band and had multiple crates of 7" records and LPs.

One of the things i loved about the scene in North Jersey was the absence of elitist bullshit. When me and my friends got into hardcore, we didn't sell off our metal and rock records. At parties it was common to hear Bad Brains, along with Metallica and Led Zeppelin. We just loved music. And drugs. More than half my friends never made it out of the madness alive. It all came crumbling down sometime in mid '90s. The ten year party was over.

So for this post i'm sharing all my favorite New Jersey Hardcore. For the stuff that was posted before, like Dirge, Sticks and Stones, Mental Abuse etc, i went back to the original source files (some as old as 20 years old) and started from scratch to get the best sound quality possible. So even if you have this stuff, i'd recommend downloading these files as an upgrade. I'm not putting this stuff in any kind of order (like by year or genre), just kind of by how much i like the band i guess.

If any bands want their stuff removed from this post, please email me or leave a comment and i'll delete the link immediately.

Here goes.

Dirge Anthology: 1986-1990

I'll start off this post with my all-time favorite NJ Crossover band, the mighty Dirge from Holmdel. In my opinion the "Soulstorm" LP is up their with any of the crossover greats. They should have been huge. I think their first album just arrived onto the scene a bit too late. Plus they never re-pressed any of their records. Vocalist Jack Monahan also sang for the great NJ band Fatal Rage.

Sticks and Stones - Inner Revolt

This is the band's cassette-only release from 1988 and for me their greatest recording. This was originally supposed to be an LP on Kevin Seconds' label Positive Force, but that fell through for whatever reason. Maybe the greatest punk "almost-album" of all time. Unfortunately only a few of these tracks made it onto the band's 2xCD "discography", but i'm hoping this gets reissued by Chunksaah Records at some point.

Cyanamid - NJ Hardcore Anthology

Cyanamid were a demented punk/noise band from Bound Brook who formed in 1981 and basically played grindcore before it had a name. Way ahead of their time. I can't think of anything that sounds remotely like their "I Love NJ" demo prior to 1983. Punk riffs, Flipper like dirges and bursts of psychotic noise. An obvious influence on bands like Cripple Bastards, Agathocles, Patareni etc. This comp collects (i'm pretty sure) at least one version of every song they ever recorded. Amazing sound quality. So highly recommended.

Stetz - Live And Rare 22 Song Demo

22 tracks of hardcore, punk and rock with a sense of humor. They also released a great album in 1986 called "Songs of Experience", but i like this demo better. "East Coast Slamming" is such a killer song. There's also a studio version of that song on the "Hardcore Takes Over" comp LP from 1983, also in this post.

Mental Abuse - Streets Of Filth

THE classic New Jersey Hardcore album. Recorded in 1984 in Whippany, NJ and released in 1985 on Urinal Records. I ripped this from a very clean copy of the LP sometime in the mid '90s when the whole CDR technology first started. Sounds great. I also tacked on their track from the "Message From America" comp LP, also released in 1985, and the only other Urinal Records release.

Mental Abuse - Live at CBGB 1985

Excellent recording of this 1985 gig where they just nail every fucking song. I like this better than the LP. Sid Sludge is a madman here. Much better rip than the one posted way back.

Adrenalin O.D. - Sittin' Pretty

This is the comp released by Grand Theft Audio that has the band's first EP "Let's Barbeque" from 1983, with extra session tracks, plus the "Wacky Hi-Jinks" LP from '84 and a live set. Mandatory.

Lethal Aggression - Lethal Anthology 1985-1990

Thrashy hardcore from Brick, NJ. This has all their best stuff, remastered by the band some years back. I added on the rehearsals which has a ripping version of "I'll Fight" that destroys the LP version. Jersey Shore Core at it's best. RIP John “Saltz” Saltarelli.

Monster Madness: NJ Horror Punk

A comp of my favorite songs by these 3 punk legends. This starts off with the Mourning Noise set recorded live of WFMU in 1982. They blast through 11 rippers with so much energy that none of their studio recordings can compare. My fave WFMU set ever. A few of these tracks wound up on the split 7" with The Parasites. Next up is The Undead featuring ex-Misfit Bobby Steele. This is pretty much everything they recorded before they broke up. Steele reformed the band in 1989 and recorded the "Act Your Rage" LP. Last is the most famous punk band to come out of NJ, The Misfits. The amazing "12 Hits From Hell" session recorded in 1980 and 4 bonus tracks just to fill up space. Tracks from all 3 bands were ripped from various CDs.

Sand In The Face - Music Made To Riot

Hardcore punk from Towaco. This is a collection of comp tracks and demos recorded between 1982 and 1983 that was released in 2015 on Mad At The World Records. Sand In The Face also put out a killer LP that was recorded in 1984 and released in '86. Like most great NJHC albums, it was never repressed.

Sacred Denial - Extra-Strength Anyone?

Sacred Denial from Clifton was one of my favorite NJHC bands of the '80s. Their later stuff especially hit the spot for me. This was their second album from 1986, released on Forefront Records. I prefer the first album over this one but don't have a good quality rip to share unfortunately. "Easter Sunday" was a ripper.

Sacred Denial - North Of The Order

This is my favorite Sacred Denial album. "North Of The Order" was released in 1987 on Forefront. It was also released a year later on Nuclear Blast, with some different songs, and what sounds like a different mix. I prefer this one, the original '87 version. This was kind of their transition album from their early straight forward hardcore to the crossover thrash of "Sifting Through Remains". Every track is just perfect, and the piano outro at the end of the LP is amazing. Brings me back to 1987 every time i hear it. This was never released on CD, but this doesn't sound like it was ripped from vinyl. I forget where i got this rip, i've had it forever.

 Sacred Denial - Sifting Through Remains

Here's the CD version of the band's thrash album from '88. It still has the great emotional vibe of "North Of The Order" but it's heavier and more metallic. You can hear the Slayer influence on songs like "Brother's Inventions". My fave track is "Root Of All Evil", but the whole record rips from beginning to end. Plus they do a cover of Cheap Trick's "Surrender" and pull it off. I had this on CD, vinyl and cassette when it came out. Sacred D were kind of an infatuation band for me. RIP Ant.

Social Decay - Anthology 1985-1990

Great hardcore band from the Jersey Shore that formed in 1984. They had elements of crossover and thrash metal with guitar solos and slow dirges all over the place. They were pretty much the epitome of what NJ crossover thrash looked and sounded like. They sounded like New Jersey the way Agnostic Front sounded like NYC. This comp has a lot of my fave material, but they recorded a lot more. They put out a CDR collection of all their demos in 2011. If anyone has a rip of that, please hook me up.

Bedlam - Total Bedlam / Lost In Space

More great thrashy hardcore punk with a sense of humor, like lots of NJ bands at the time. This has the band's LP from 1984 and their 12" EP from '86.  They also released a split 7" with AOD. All their stuff was put out on Buy Our Records, a label that released a shitload of NJHC. Politically incorrect, dopey and fucking awesome. I miss bands like this.

Chronic Sick - Jersey Discography

More politically incorrect, obnoxious NJ hardcore punk. Also one of the earliest. Tons of great riffs and lyrics to be taken with a huge grain of salt. This is everything they recorded. The 2 EPs on Muthu Records, and a rehearsal tape that kills.

Niblick Henbane - ...And We Fall

Niblick Henbane apparently means Poison Golfclubs. They were a NJ Oi punk band who started in the late '80s putting out a bunch of demos, and then started releasing killer EPs in the early '90s. Songs like "Life Over The Edge", "Future" and "We Don't Want To Play" are super catchy and just flat-out great songwriting. They also do a great version of the classic "Going Down The Bar", although i like The Wretched Ones version better. Even if Oi is not your thing, you have to hear Niblick Henbane. It's some of the best punk rock of the early '90s.

New Jersey's Finest - 1982 Demo

There's not much info on this band. They were from New Brunswick, they were pre-Niblick Henbane, and this was their only recording. I've never even seen the cover of the demo. So i just grabbed a pic of NJ that i liked and threw a logo over it. It's good sloppy, fast punk. Thanks to Dan from Old, Fast and Loud for the sound work on this one. I wish he would start up his blog again.

American Standard - Wonderland

Originally released in 1989 on Power House Records, this is a melodic hardcore classic. They released  a bunch of records into the '90s, but in my opinion they never topped this LP. And i hate to be that "the demos were better" guy, but the demos were better.

Chemical Waste - Life's A Bitch demo 1987

More Jersey crossover thrash. Chemical Waste were the first hardcore band i ever saw live. It was in 1987, and they played on a boat for this girl Joan's birthday party. They played the demo tracks and a bunch of D.R.I. covers. It was awesome. Social Decay also played but i got there late and missed them. Bass player John Monte also played in M.O.D. and at least 2 of the members went on to form Mind Funk.

Genocide - Submit To Genocide

The ultimate punk / street metal band. "Submit To Genocide" came out in 1987 on LP and cassette. Like some drunken mix of Motorhead and Motley Crue, only a thousand times better than that or any other dopey comparison. I had the song "Die Wasted" on some mixed tapes i made back in '87 and would hear that song just about every day. Listening to this stuff now it sounds better than ever. This was never released on CD, but this rip is excellent quality.

A Priori - Damn The Past

A Priori were a melodic, super-talented punk band from Morristown. I was so blown away when i first heard the song "Self Determination" on WFMU that i immediately went on a mad hunt for the LP, which actually took over a year to finally get a hold of. Luckily i had a couple of tracks from some Shredder comps to hold me over. This is the complete discography. The "Damn The Past" LP plus the 2 comp tracks and 2 demo tracks. 

Sadistic Sex - The 1988 Demos

Sadistic Sex started out as Negative Youth, who put out a couple of punk demos in 1986-1987. When they changed their name to Sadistic Sex in '88 the music got much heavier and more sinister sounding. They were also full on porn-core at this point. The "What A Waste Of A Beautiful Day" demo is especially crushing. That tape was on constant rotation when i was in art school in Dover around '89 or '90, until i lent it to a friend who had it stolen out of his car. I didn't get to hear this demo again until last year. Sixteen years later and i'm loving it again. The Punk Police would probably cry about the lyrics. Fuck 'em.

Children In Adult Jails - Man Overcome By Waffle Iron

This album rules. It was put out on Buy Our Records in 1985, and has some of the typical NJHC traits. Fast songs and silly lyrics. But this one has some real power behind it. They also have a great track on the "New Jersey's Got It" comp, and released an EP in 1991 which i haven't heard.

The Out Group - Out Completely

Out Group was pre-Mental Abuse. This is all the band's demos and some live stuff. The Bleeker Street Demos with Sid Sludge are best. There are lots of riffs that went on to later become Mental Abuse songs, and there's even an early version of "Do You Mind?" Sid was the fucking Hardcore Caesar! "I hate Mike, he's a mother, I hate Mike, he's my brother...". Awesome. Pat Duncan played "Get Away" on WFMU pretty much every Thursday night for years.

Detention - Expelled

Detention were an awesome catchy punk band that formed in the early '80s. Their song "Dead Rock 'N' Rollers" was constantly on the punk radio stations back then. Kinda like Bedlam's "MTV", it's just a great simple punk song that can get stuck in your head quick. This CD put out by Brian of  Grand Theft Audio has the "Dead Rock 'N' Roller" EP, their LP from '85 and at least an album's worth of unreleased tracks.

Bands Only A Muthu Could Love

Killer comp CD of all Muthu Records bands. Mostly staple NJ stuff, with great tracks by Dirge, Stisism, The Parasites, Sticks and Stones, Stetz, The Worst etc. My fave track is the metallic ripper "BBQ Freak" by Infamous Basturds from Canada.

Chronic Fear - Discrimination Demo 1986
Fast raw hardcore. Even though there's humor in the lyrics, it call comes off pretty dark sounding. When they get those fast repetitious riffs going it kinda sounds like black metal punk at times, like Von or Ildjarn, or even some primitive death metal. By their second demo a year later they sounded like a completely different band. I'll never understand the infatuation with The Flinstones in NJ.

The Worst - The Worst Of The Worst

Link deleted by request of label.

One of the most underrated bands i can think of in any genre. Ripping fast rock 'n' roll punk. The first EP sounds like The Stooges on speed and the 1983 LP sounds like a frantic mix of The Circle Jerks and Black Sabbath. This just flat out kicks ass.

Somethin' Else 1986 Demo

Fast hardcore from Belmar that sounds more influenced by NYHC than most other NJ bands. The artwork i used for the cover was actually going to be used for a CD that never happened. I'm pretty sure this demo is all the band released.

Turning Point - Live on WNYU 1991

A New Jersey favorite. Their 1988 demo is just everything i love about hardcore jammed into 8 tracks. This set recorded live on WNYU in '91 has songs from all their releases. I originally posted this set years ago, but this one sounds better. If you haven't already, check out my tribute to the late Skip Candelori here.

Abnormal Behavior

AB were a hardcore punk band from my home town of North Bergen, and they were one of the most amazing live bands i've ever seen. Just great hardcore riffs with elements of ska on some songs. I think they started sometime in the early '90s, and by the time the mid '90s hit, they had so many members it was like a traveling circus. Depending on who was available for any given gig, their would sometimes be upward of 10 or 12 people on stage. I've seen them with 2 guitarists, 3 vocalist, 3 horn players, bass player and drummer,  and a big guy named Goofy who would wind up naked playing kazoo. The last band i was in, Spaul (late '90s powerviolence), used to play with these guys all the time. We even used to cover their song "Wheels". By their last year i wound up playing drums for them, and the band was whittled down to the bare minimum. My good friend Brian on vocals, twin bothers Vin and Joe on guitar and bass, and me on drums. No more horn section or big naked people. It saw fun, and we played a bunch of great shows, including ABC No Rio, but it wasn't the same and it wound up fading sometime in the early 2000s. During their existence, AB put out a really good 4-song 7" in 1994, a split 7" with Essoasso in '95, and they had one track on the "Education" comp in '95 with bands like Devoid of Faith, Horace Pinker and Policy of Three. This is the CD they recorded right before i joined. It was recorded at Pearl Studios in Jersey City in 1998, and though it can't compare to the sound of their live shows, it's an excellent CD of pretty much all the amazing songs they would play live with their classic lineup. Just download it.

Enuf 1988 Demo

Here's the new rip of the classic Enuf 1988 demo. All the info on the band and a write-up by bassist Pete Sanchez is still on the blog here.

Hardcore Takes Over compilation 1983

Here's a great rip of my favorite NJ compilation LP, "Hardcore Takes Over" released on the short-lived Dirt Records in 1983. This one has some real heavy-hitters. Mourning Noise does two of their most hardcore sounding songs, Stetz kills it with a great studio version of their best song "East Coast Slamming", plus tracks by Sand In The Face, Genocide, TMA who had a great LP in '84,  and a couple of really obscure bands who never really released anything other that what's on this comp.

Pleased Youth - Sure We're Pleased 1984 demo

Great (i know i keep saying that, but i just love all this NJ stuff) demo from 1984. Thrashy hardcore punk with members of AOD, New Jersey's Finest, and Niblick Henbane. Guitarist Paul Decolator later went on to play in Loose, one of my fave indie bands of the early '90s. Thanks again to Dan from Old, Fast and Loud for the great sound on this.

No Refund - Cross Core demo 1989

Silly, but really well-played crossover from Glen Ridge, NJ. Sounds like these guys were really into the "USA For MOD" album and the first Mucky Pup album. I like it OK, but i'd imagine the humor can grow old after a while for some. Just check it out. They also released a pretty short CD in 1992 and a cassette-only full-length called "3 Dead Dicks" in '95. Oh look, here it is:

No Refund - 3 Dead Dicks 1995 cassette

Very similar to the demo, just slightly better production. Excellent sound quality on both rips.

Vision - Early Vision 1988-1990

Classic melodic NJ hardcore band with indie/emo influences. All the info for these recordings are on the blog here. Same sound as before, this is just a comp of all my favorite Vision stuff on one disc for my own convenience. Figured i'd share it to keep all the NJ stuff in one post.

Slaughtered Grace - Call This Planet... Slaughtered Grace

Crossover thrash from Lodi, NJ. This is the band's CD from 1989. It's more on the thrash metal side than hardcore but it rules. Slaughtered Grace also released a 7" in 1989 called "Terror Unleashed", which has the song "Disability" from this CD as well as the EP title track. Guitarist Ron Paci and vocalist Sal Bee went on to form the hardcore band Sardonica in the early '90s.

The Underachievers - Skip The Salad demo

One-sided demo cassette from 1986 of pretty basic 4-chord hardcore punk songs. Has kind of a Ramones vibe in the riffing. This sounds like something that would have came out much earlier than '86, but it's refreshing to hear such straight-forward punk coming out of NJ at that time. Oh, and they cover the most covered song in the history of hardcore, "Stepping Stone".

Bloated - Confused Collection

I wasn't sure which of my own bands to post here. I've played drums in about a half-dozen bands from '87 up to about 2004. The first band was a crossover hardcore band called S.M.O. that started in '87 and lasted a few years. We recorded 3 or 4 demos, and played a bunch of shows, usually at Studio One, and a bunch of outdoor gigs in parks and barbecues. The other band members, Steve, Mark, and Jay, played in most of all the bands i was in. After S.M.O. was a side-project called Waiting Room, which was just acoustic versions of S.M.O. songs. We did one demo. After that was Bloated in the early '90s. Bloated was me and my old vocalist Steve, trading off vocals with our good friend Chantelle, S.M.O. bassist Jay, and our buddy Neil on guitar. We recorded a batch of hardcore songs at some rehearsal room in Jersey City. It's all posted above. After Bloated came Gargantuana, once again with Steve on vox and his crazy roommate Tommy on guitar. We recorded 2 demos of doomy hardcore, very influenced by Black Sabbath, as well as early '90s HC bands like Rorschach. Then i played drums in '90s powerviolence band Spaul with the old S.M.O. lineup. We made a couple demos and had a track on some Slap A Ham compilation. Then it was a short stint in Abnormal Behavior before moving to Florida with my wife and kids.

Well, that's it. There's 14 Easter Eggs this time around, about half of them related to this post. The Blogged and Quartered Record Store is still open and there's still lots of records available for big discounts. Til next time.

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